Writers get to build whatever world they please — sometimes our novels bend the truth only somewhat — other times they invent entire new gallaxies.
My works in progress, “Flamenco & the Sitting Cat,” and “Tango & the Sitting Cat,” are set in fictitious towns within Los Angeles during 2002 and 2003. Back then, COVID-19 didn’t exist…
Note: Earlier this week, my husband became feverish and unwell. Turns out he has COVID-19. He’s doing his best to get well while I feel healthy and am awaiting my test results. Throughout the pandemic, we’ve been super careful. I’m letting you know this as a reminder that one can never be too conscientious about avoiding this severe illness and about working civically to help contain it.
Deciding on setting and histories and all that goes into storytelling is chancy no matter what an author chooses to create. There will always be fans and foes. To be a novelist requires enough passion to outrun the discouraging thoughts that can torment us.
Chris Hall has been wonderfully prolific over the last few years. She’s published three novels and a short story collection! Originally from the UK, she describes herself as “a compulsive story-teller, cat slave and hen keeper.” To sample her short fiction, fan fiction, mini-series, and poetry, as well as to follow her on her various social media, check out her website.
“Song of the Sea Goddess,” her most recent novel, is set where she lives now, the Western Cape of South Africa. Here she describes why she decided to depict a South Africa different from how it is in real life…
“From the Writer’s desk” by Chris Hall
Writing a novel is not just about telling the story. There are other considerations that come into play. I’d like to share with you why I was motivated to write a book set in South Africa. In particular, why I chose to paint an idealised portrait of the place and why I drew on the overarching theme of environmental destruction, rather than dealing with the gritty issues of race and poverty in my…
